There were EIGHT (player) technical fouls and FOUR ejections in the WNBA yesterday. Here’s the rundown!
The kind of highlight reel I was hunting for on YouTube last night and could not find
Anonymous asked:
liz said LA promised her foreign cars and paid rent in bel air 🤣
thatishowsueseesit answered:
she’s such a liar i do not believe her like need someone on the sparks team to say something before i’d ever believe her ass
More likely, it was paid rent in Bell Gardens and UberX to home games if she was so inclined
“The art of dependence” means accepting aid with grace and, crucially, recognizing the importance of others. It takes dignity and skill to lean on friends, loved ones, and colleagues — and even on the state. Resourcefulness is required for collaboration. We sometimes work hard to get what we demand: To secure aid from social services often requires what is known as the administrative burden — the effort, knowledge, and sheer time it takes for citizens to obtain benefits. In a society that pathologizes dependence — even as every human being is born into it — vulnerability takes courage.
Unlike happiness, fulfillment is a state of being. It is achieved when you accept who you are, make the most of what you have, and are optimistic about the future.
“I can feel sorrow and darkness and still feel joyful. Joy doesn’t negate the difficulties of being alive.”
We’re now back to what cities really are—they’re not containers for working. They’re places for people to live and connect with others.
—Richard Florida on how neighborhoods are benefitting from remote work
Fam, I “got ‘em” and then didn’t because of the things detailed in this article. Fell off a truck somewhere in Stockton, California, and never made their way to me.
“So many institutions came out of 2020 and the murder of George Floyd thinking, ‘How can we center Black voices?’” Shaw says. “Well, CAAM’s been centering Black voices since 1977. That’s the point of what we do. So [the question was]: what are we modeling next regarding cultural practice? For me, that thing was depth.”
As part of her new vision, Shaw created four pillars to guide the development of exhibitions and public programming at CAAM, which has four full-time curators. The pillars — Black abstraction, Black lives/green justice, liberating the Black archive, and spirituality and ancestral technologies — came out of a period of “deep listening,” Shaw says, in which she engaged CAAM staffers, artists, community members, and others to get a sense of the issues on people’s minds. Specifically, she was interested in how those issues intersect with their everyday lives and what being a Black museum in Los Angeles means.
